Saturday, January 30, 2010

The Mother Post (of poetic forms and terms)

So (finally) here's where we'll create a heap of poetic terms and forms and whatnot.  Poetry has a massive under-code/secret language, but it's only mildly intimidating (actually, the thought of being "in" on an ancient, secret under-code should sound way cool). 

Reply/Comment to this "mother post" with a few discoveries of your own - be sure to post the definition of a FORM and at least one other TERM (It would work well if the additional term you choose to define is an element of your form).  IF you retrieve your info from another website or book (and I'm sure you shall find it somewhere), be sure to cite your source in your response by simply supplying us with a hyperlink back to the web page or with author, book title, and year.  Do NOT repeat terms or forms that have already been posted (This, therefore, requires you to read what has already been posted carefully).  I encourage you to try creating or finding an example of the form that you've chosen to define. 

Here's a definition served up with an example.  I also defined a few extra terms seeing as these are basics - these we need to know up front.  You need only define ONE form and ONE term.  These definitions were found on poetryfoundation.org


Villanelle


A French verse form consisting of five three-line stanzas and a final quatrain, with the first and third lines of the first stanza repeating alternately in the following stanzas. These two refrain lines form the final couplet in the quatrain. See “Do Not Go Gentle into That Good Night” by Dylan Thomas.
 
stanza - A grouping of lines separated from others in a poem. In modern free verse, the stanza, like a prose paragraph, can be used to mark a shift in mood, time, or thought.
 
quatrain - A four-line stanza, rhyming (in some sort of pattern).  For example, the quatrain in Thomas's final stanza (below) has the rhyming scheme of ABAA (height, pray, night, light).
 
refrain - A phrase or line repeated at intervals within a poem, especially at the end of a stanza. For example, in Thomas's poem, the refrains are "Do not go gentle into that good night" and "Rage, rage against the dying of the light."
 
couplet - A pair of successive rhyming lines, usually of the same length. (See how the refrained lines create a couplet in the final stanza of Thomas's poem?)
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Do Not Go Gentle into That Good Night
BY DYLAN THOMAS

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.

Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray,
Do not go gentle into that good night.
Rage, rage against the dying of the light.



Dylan Thomas, “Do Not Go Gentle into That Good Night” from The Poems of Dylan Thomas. Copyright 1939, 1946 by New Directions Publishing Corporation. Reprinted with the permission of New Directions Publishing Corporation.


Source: The Collected Poems of Dylan Thomas (New Directions Publishing Corporation, 1957)
 
 
 
BONUS!!  CLICK HERE to HEAR Dylan Thomas READ "Do Not Go Gentle into That Good Night" in an absolutely fabulous manner (recording posted on Poetry.org).

Friday, January 29, 2010

Sigh

No time in days
So much, what to do? Sleep
There is were no tomorrow, I need tomorrow, tomorrow cannot come
I need today, today cannot come
Arms ripped from sockets
Gray matter oozes out
Choppers disintegrate
Stop! Please stop!
Deficient assist
Shattered glass

Wednesday, January 27, 2010

How to Use a Semi-Colon and an Apostrophe

If you've ever been unsure of how to use a semi-colon or the apostrophe, many have found these sites both informative and fun.  Go here (click on the images, which are the lovely creations of "The Oatmeal" who are also the creators of explanatory stories like "Ten Words You Need to Stop Misspelling" and "How Everything Goes to Hell in a Zombie Apocalypse."):






and also . . .



Sunday, January 24, 2010

Widgets to Cure Writer's Block . . .

. . . (IF you believe in such a thing as Writer's Block . . . and/or Widgets). 

This site is one of my favs:
languageisavirus.com

It's full of writing prompts and exercises to get you rolling if you feel you've stopped rolling or if you have never ever been rolling and wish to get yourself started right away.  Among many other things, it has a couple of awesome little gadgets: The Poetry Generator and the Haiku-a-Tron, which both create automatically generated poetry (?) from a massive word database.  Even if the automatic generation doesn't create a masterpiece, it can often times create a fabulous line or phrase that you can take your own way, in search of your own masterpiece.   

An example from the Haiku-a-Tron:

coughing crystal austere
milky watercolor ghost bigbirdyellow translator
strange enfold   

 (milky watercolor ghost???  fabulous!)

. . . The truth is that any site which upholds William S. Burroughs and sticks his ever-awesomely-creepy face all over the place HAS to be cool.  Dig it?





Unsure who William S. Burroughs is?  He's a bizarro Beatnik writer who accidently shot his wife in the head (in his younger years, of course).  He was obessesed with sex, outer space, and, later, his dreams.  I could say more, but instead . . . here's an example of his writing ("Mother and I Would Like to Know"): http://www.evergreenreview.com/100/fiction/burroughs2.html
Here's a link to an interesting, but breif, bio: http://www.popsubculture.com/pop/bio_project/william_s_burroughs.html

You are a creative writer and not allowed to be offended by that which hangs on the edge (in fact, you should be fascinated by it).  However, I'll state it anyway: Read and investigate Mr. Burroughs at your own risk. 

Friday, January 22, 2010

10 Trippy Interactive Narratives . . . (posted by Jawbone)

If you lurk often in the digital realm (and don't hate yourself for it) or even if you think it's good-fer-nuthin' when it comes to self-expression, CHECK THIS STUFF OUT.   JawboneTV is mighty cool . . . oftentimes incredibly strange but cool.


Wednesday, January 20, 2010

New Brevity: A Journal of Concise Literary Nonfiction

Check out the latest issue:  http://www.creativenonfiction.org/brevity/index.htm
(wish I could! if you have the time to read a few of these, let me know what's good!)



Monday, January 18, 2010

Some Great Flash Fiction

Just thought I would share this flash fiction with everyone. All credit is to the author, Tim Pratt, I personally thought the story was amusing and had an intelligent plot at the same time.

Caltrops--Tim Pratt

Warm Up 1 (Page 2)

Here's a place where you can publish your response to the Warm Up Exercise on Page 2 of the textbook as a COMMENT to this post.  Also, I wanted to give you a better version of the image and a little follow-up on the el-bizarro artist that is Laurie Lipton.  Have a peek at her awesome website:  www.laurielipton.com   Laurie's also on MySpace: http://www.myspace.com/laurieliptondrawings and Facebook: http://www.facebook.com/laurieliptonart.  And she's featured here:  http://beinart.org/ (The Bein Art International Surreal Art Collective).  If the image below doesn't do anything for you, try inspiring yourself with one of her other pieces - BUT if you do, please post it in your comment or leave a link to it because we'd love to see it.  :)


"Leashed Passion" by Laurie Lipton

Sunday, January 17, 2010

Leaving Comments

If you'd like to leave a comment on a post, the link to do so is at the TOP of the post, not the bottom.  There is a listing of multiple things that you can do per post listed at the top of each post.  You can share a post, comment on a post, edit a post, etc. etc.  Play around to figure things out.  Send me a question if you have one - or you can simply post it here.  

Saturday, January 16, 2010

Welcome!

Finally, I did it. It's done.  I've had a lot to do this weekend, but, of course, creating this 202 class a kick-ass blog was one of my top priorities.  I apologize for not getting this out sooner.  I confess: I spent way too much time looking around in search of a better template design (or "blogskin").  I tried to find one that wasn't too plain or busy or girly.  And humor!  It had to make us all smile every time we opened it up.

I decided to create our blog in Blogger (obviously). I'm not sure what made me inclined to title it "Speed Limit 202" - I think it was because I spontaneously evoked a theme of road signs (the one below is also on Blackboard) for no apparent reason.




You do not need a Gmail account to sign up to post to Blogger. However, if you have a Gmail account and you'd rather I send your invite to contribute to this blog to that e-mail account instead of the one listed on Campus Connect, let me know right away.

YOU are the exclusive authors here. This is your space. You can post whatever you'd like here (of course, use good judgement). You can post your own writing. You can start conversations. You can post links or even embed movies. If you post the work of others, be sure to give them appropriate credit.  Remember that this blog has been added to Blogger's lists and may show up in internet searches.  This means that we may, on occasion gain an extra follower or have a stranger make a comment.  However, in all likelihood, this will not be frequent.

I'd also like to invite you to add to a list titled "Writerly Sites" contained within the right-hand column - I think you, as an author, can add to it by clicking on "Layout" and then "Page Elements" and then clicking "Edit" in the Writerly Sites box. If you have a website or interesting blog that you follow, include the link here for everyone to see.  NOTE: NEVER go to "Edit HTML" under the "Layout" tab to make changes or make any other changes regarding the "Layout" or "Template."

Spread a link back to this blog if you'd like others to see this! I do believe I'll invite my husband to follow this as well. He's taking a creative writing course at Ball State this semester, but he's not getting an awesome blog like this. If you have any problems with the tech-side of things and creating a post, let me know and we can review the steps after or before class one day. If too many people are having problems with the process (but I doubt we will), I can create a hand-out or carve out some class time in a computer lab.

Meanwhile . . . have a poem.  :)




Day Job and Night Job

BY ANDREW HUDGINS
After my night job, I sat in class
and ate, every thirteen minutes,
an orange peanut-butter cracker.
Bright grease adorned my notes.



At noon I rushed to my day job
and pushed a broom enough
to keep the boss calm if not happy.
In a hiding place, walled off



by bolts of calico and serge,
I read my masters and copied
Donne, Marlowe, Dickinson, and Frost,
scrawling the words I envied,



so my hand could move as theirs had moved
and learn outside of logic
how the masters wrote. But why? Words
would never heal the sick,



feed the hungry, clothe the naked,
blah, blah, blah.
Why couldn’t I be practical,
Dad asked, and study law—



or take a single business class?
I stewed on what and why
till driving into work one day,
a burger on my thigh



and a sweating Coke between my knees,
I yelled, “Because I want to!”—
pained—thrilled!—as I looked down
from somewhere in the blue



and saw beneath my chastened gaze
another slack romantic
chasing his heart like an unleashed dog
chasing a pickup truck.



And then I spilled my Coke. In sugar
I sat and fought a smirk.
I could see my new life clear before me.
It looked the same. Like work.





Andrew Hudgins, “Day Job and Night Job” from Ecstatic in the Poison. Copyright © 2003 by Andrew Hudgins. Reprinted with the permission of The Overlook Press.